• New Events
  • Feed
  • Subject
    • Eat
    • Sleep
    • Visit
    • Read
    • Listen
    • Watch
    • Life
    • Moonridge
  • Trending
  • Karen
  • Privacy Policy
  • Subscribe

Always Packed for Adventure!

It's the destination and the journey.

  • New Events
  • Feed
  • Subject
    • Eat
    • Sleep
    • Visit
    • Read
    • Listen
    • Watch
    • Life
    • Moonridge
  • Trending
  • Karen
  • Privacy Policy
  • Subscribe

Wordstock: Portland's Book Festival 2016

Since moving to Portland, I've been seriously homesick for Los Angeles. However, last Saturday, was a turning point. It was a magical, amazing day. 

This most wonderful day, even began with a double rainbow over Portland. This is the view from our bedroom window.

Besides the rainbow, what was so great about Saturday, November 5th? 

The second annual Wordstock: Portland's Book Festival was taking place across the street from my apartment. A major book festival, with authors that I love was minutes from where I live. By a long shot, this has been the best thing that has happened during our time living in downtown Portland.

Based on advice garnered from the festival website, I purchased my tickets in advance. The tickets are a steal, just fifteen dollars each. The tickets include first-come/first-serve admission to all of the author discussions, entry into the book fair, and a five dollar coupon good at any vendor in the fair. I bought a ticket for Dan, but work prevented him from attending with me. I did get to use his coupon for more books though! 

I prepared for the festival by emptying my messenger bag to fill with festival purchases, just bringing a small notebook to record writer's wisdom gleaned from the panel sessions. After filling my bag with books during AWP, I learned to travel light and leave room for acquired bookish things. I'm practically a book magnet at these fairs!

The staff and volunteers for Wordstock were amazing. The festival was primarily based at the Portland Art Museum, but events spread out over neighboring churches and theaters, everything within a few blocks of the museum. The clear signage and large amount of volunteers, made the festival a breeze to navigate. 

View fullsize map.jpg
View fullsize schedule.jpg

When I arrived,  I found two lines for tickets; one for pre-sales, and one for day-of purchases.  I had my pre-purchased tickets printed and within minutes, I was scanned, given my book fair vouchers, and a volunteer wrapped a red plastic bracelet around my wrist. The bracelets are required for all of the events, making it easier than fussing over tickets. 

The first panel started at 10am, so I headed to the book fair. 

The book fair was spread over two ballrooms in the Portland Art Museum, and featured approximately a hundred vendors, many were independent presses. I scanned through everything, but honed in on three vendors.

Tin House Books- A longtime favorite of mine. I love much of what they publish and I always like to scoop up the latest offerings.

Rare Bird Books- They are from my hometown and during the 2016 AWP Conference, I discovered their books and had a lovely conversation (book talk and tons of recommendations)  with the woman running their booth. I was happy to see her again at Wordstock.

Hawthorne Books- Portland based, I had not yet heard of them, but the very friendly woman at their booth drew me over to check them out. If I hadn't been on a tight budget, I certainly would have purchased more. I have a gut feeling that they may be my new favorite indy press. Their booth was absolutely swarming with book lovers that were very enthusiastic about their love of Hawthorne Books. 

The panels were the best part of Wordstock. I attended four panels and was going to try to squeeze in a fifth, but I needed to take a lunch break. I will just have to catch Alice Hoffman another time. I learned the hard lesson at AWP, that you can't attend it all and breaks are key for my overall event enjoyment. Speaking of lunch, I ran home, but this being Portland, there were food trucks a-plenty brought in for the event.

Panels I attended  =

Skeletons in the Closet with Jade Chang, Adam Haslett, and Gina Ochsner, moderated by John Freeman. - The topic focused on family secrets, whether entirely fictional or real life secrets tweaked to fit a fictional story. I recently read Chang's debut novel, The Wangs Vs. The World, which made me want to attend this panel. Chang was every bit as hilarious as her writing.  

Women First with Laurie Notaro, Chandler O'Leary, and Jessica Spring, moderated by Elly Blue. A funny thing about this panel, is the name wasn't supposed to be, Women First, it was a misprint in the program. This wasn't a Portlandia reference and Blue made sure to let everyone know right at the start. This was a panel on feminism. I'm a huge fan of Laurie Notaro, so pretty much the panel could have been about anything, and I would have attended. This was my #1 event of Wordstock. Notaro didn't disappoint, but neither did the other panelists. I had never heard of O'Leary or Spring, but was fascinated by their, Dead Feminists Project, that combines art and History to tell the story of famous and not-so-famous, deceased feminist from around the world. There was a lot of discussion about female rights and representation in the world of publishing, which is overwhelmingly male and white. Blue brought out an fascinating statistic, that the American demographic that buys the most books is college educated African-American women, yet the powers that be in the industry, does not represent this demographic at all. Change is very slow.

Tale of Two Americas with Richard Russo, Karen Russell, and Kevin Young, moderated by John Freeman. This was easily the most popular panel that I attended. The line was around the block and the venue, First Congregational United Church of Christ, was packed. I was excited to see Russell and Russo, but I was happily surprised by the discovery of Young, a poet with a great sense of humor. I will definitely be adding him to my reading list. The part of this panel that most resonated with me, was Russell reading from her new essay that speaks about her move to downtown Portland and living in a beautiful Historic apartment located over a homeless shelter. She writes about her feelings and experiences with Portland's homeless population. Being new to Portland, I related heavily to her essay and look forward to reading it in its entirety. It made me really think about my own feelings living downtown.

Hunger Makes Me a Modern Girl with Carrie Brownstein, moderated by Jon Raymond. Not quite as packed as the previous panel, but the line was still around the block. I waited in line for about thirty minutes in the pouring rain, no umbrella. It seemed the Portland thing to do, rain Brownstein. I've not yet read her memoir, but the excepts she read, are enough to make me add the book to my list. She was funny, sharp, and entertaining. 

I'm already pumped to attend Wordstock 2017. Advice for next year, you can't do it all, so plan wisely. They also offer writing classes, which must be pre-booked, but looked fantastic. Beyond the panels, the fair is filled with "pop-up readings", where authors read sections of their works in the art museum. The pop-ups are listed in the program, so you can plan to attend them. Most of the authors had book signings, but often they were not in the same venue as where they spoke, a majority of the signings seemed to take place in the book fair halls. Really, it boils down to picking a few must-dos and taking whatever else you can squeeze into your schedule.

I'm ending on a picture I took from the queue to see Carrie Brownstein. Portland book lovers in the rain. 

 

tags: Wordstock, Wordstock Portland's Book Fair 2016, Review of Wordstock PDX 2016, Double Rainbow Portland 2016, Rainbows in Downtown Portland, Pictures of Wordstock 2016, Wordstock 2016 Book Fair, Moving to Portland Oregon, Portland Art Museum Wordstock, Preparing for Wordstock, Best Bookfestivals Wordstock Portland, Admission for Wordstock, Rare Bird Books, Hawthorne Books, Tin House Books, AWP Conference 2016, Skeletons in the Closet Wodstock, Jade Chang Wangs vs The World, Jade Chang Wordstock 2016, John Freeman Wordstock 2016, Adam Haslett Wordstock 2016, Gina Ochsner Wordstock 2016, Women First Wordstock 2016, Laurie Notaro Wordstock 2016, Chandler O'Leary Wordstock 2016, Jessica Spring Wordstock 2016, Elly Blue Wordstock 2016, Largest Demographic of Book Buyers in America, Dead Feminist Broad Sides, Tale of Two Americas Wordstock 2016, Richard Russo Wordstock 2016, Karen Russell Wordstock 2016, Kevin Young Wordstock 2016, First Congregational United Church of Christ Portland, Karen Russell on Portlands Homeless, Hunger Makes me a Modern Girl Carrie Brownstein Wordstock 2016, Portlandia, Carrie Brownstein Wordstock 2016, Queues at Wordstock 2016, Jon Raymond Wordstock 2016, Pop-up Readingd Wordstock, Writing Classes Wordstock 2016, Rain at Wordstock 2016
categories: Visit
Wednesday 11.09.16
Posted by Karen Lea Germain
 

Book Review- Christopher Merkner's The Rise & Fall of the Scandamerican Domestic

 

PLOT - In his short story collection, The Rise & Fall of the Scandamerican Domestic, Christopher Merkner uses humor and satire, to peel apart relationships and family dynamics, with a heavy emphasis on people living in the midwest with scandinavian heritage. 

LIKE- The Rise & Fall of the Scandamerican Domestic came my way via the book fair at the 2016 AWP Conference. I love small presses and discovering new authors. My method was to go up to a booth, in this case the booth for Coffee House Press, and ask the seller what they recommended. "Hey, I don't know you, you don't know me, but what is your favorite book at your booth." This method works surprisingly well most of the time. The Rise & Fall of the Scandamerican Domestic came enthusiastically recommended. 

I got a kick out of recognizing my relatives in Merkner's characters. I have Norwegian heritage on both sides, with my great grandparents having immigrated to the mid-west region of the United States. Although I was born in Southern California (my parents were mostly raised here too), they still clung to many of the traits and overall way of thinking that they inherited from their parents; stoic, passive aggression, and exceptionally well-mannered while in public. Merkner uses these traits against his characters, forcing them to confront the negative results of their behavior. The funny thing is, even if they understood the moral lesson, I doubt any of the characters would admit it. Stubbornness is another trait. 

 One of my favorite stories was, Last Cottage, in which a poor lake resort community, decides that it will try to force the Larson family, to sell their land. The Larson's visit their cottage only in the summer and they are the final family that hasn't sold to developers. Rather than speak to the Larson's directly, community members first vandalize their house, damaging the roof during winter, so that they will get interior water damage. When that doesn't make the Larson's leave, the entire community, including law enforcement, pitches in to electrocute fish in the lake and purposefully directing the mass of rotting fish to the small patch of beach by the Larson's cottage. Up until the very twisted end of the story ( No spoilers), both the Larson's and the community play a game of passive aggression and manners, even as the stakes rise. Merkner excels at increasing the tension and keeping the suspense.

Another favorite was Of Pigs and Children. This one is memorable for its imagery. It's gross and weird, but also visceral, and it would not leave my mind. It's the first story in the collection, making it a great litmus test. If you can handle this story, keep on reading, if not, Merkner might not be your cup of tea.

One more stand-out was We Have Them to Raise Us. The concept behind this story was intriguing; a wife tells her husband that she would like to invite all of her former lovers to her thirty-first birthday party. She asks her husband to help plan it, and he can be there, as long as he doesn't make overt references to their marriage or new baby. What is most fascinating is how the husband responds. It's unexpected, however it also plays right into those themes of manners and passive aggression. 

DISLIKE - I found myself disconnected from many of the stories, almost skimming them. 

RECOMMEND-  I would definitely recommend the stories that I liked, Merkner has a vivid imagination. I love his balance between wit and truly dark, horrific material. However, I can't recommend, The Rise & Fall of the Scandamerican Domestic, as a collection, too many of the stories were a disconnect. 

tags: The Rise and Fall of the Scandamerican Domestic Christopher Merkner Review, Christopher Merkner Author, Traits of Midwesterners, Norwegian Immigrants, We Have Them To Raise Us Christopher Merkner, Last Cottage Christopher Merkner, Of Pigs and Children Christopher Merkner, Coffee House Press, AWP Conference 2016, Christopher Merkner Story Collection, The Rise and Fall of the Scandamerican Domestic
categories: Read
Saturday 11.05.16
Posted by Karen Lea Germain
 

Book Review - Darcey Steinke's Sister Golden Hair

 

Last Spring, I attended the AWP conference at the Los Angeles Convention Center. The conference included an enormous book fair with over 800 exhibitors. It was both a paradise and completely overwhelming. I brought a large messenger bag, and all three days, I filled it with purchases. It was so heavy, I thought the bag was going to rip! I was most excited for the Tin House Books booth. Tin House is one of my favorite publishers, and now that I live in Portland, I can confirm that it is the very best thing in the city. 

Darcey Steinke's novel, Sister Golden Hair, is from my AWP 2016 haul. I walked up to the Tin House booth and bought every Tin House book that I didn't previously own. Tin House rarely publishes a clunker, so without reading the back covers, I just stacked them up and brought them to the counter. The guy at the booth was gobsmacked, he had never sold so many books to a single buyer. My Tin House love runs deep. I've been traveling and moving, so this is the first chance I've had to dive into my AWP books. It's like Christmas in October!

PLOT - Sister Golden Hair is a coming of age story set in the 1970's in Roanoke, Virginia. Jesse is twelve when her father, a former Christian minister, leaves his church and moves his family to Bent Tree, a dingy apartment complex in Virginia. Her parents both struggle with their new situation, trying to figure out an identity that is different from minister and wife. Her younger brother quickly makes friends in their neighborhood, as Jesse struggles to figure out her place in this new town. 

LIKE- The chapters in Sister Golden Hair are named after characters than play a significant role in Jesse's adolescence. For example, the first chapter is Sandy, named after an adult neighbor who Jesse befriends. Free-spiritied Sandy is completely different from Jesse's parents, an even stronger contrast since this is the first person she really engages with since leaving their Christian church. I liked how naming the chapters structured the novel, because once I figured out the pattern, I could see the significance of these characters shaping Jesse. 

Jesse is awkward, painfully so. Her inner thoughts and outward actions are often cringe-worthy.  I don't think they would be so hard to read, if Steinke hadn't written so truthfully. Teenage years are awkward and uncomfortable, Steinke captures that through Jesse. The worst of it, is when Jesse is attempting to befriend a popular girl, Sheila. The relationship between Jesse and Sheila, reminded me of the teenage girls in American Beauty. The more we learn about Sheila, the more we realize that popularity doesn't make her immune from insecurities and odd behavior. She is desperate to be a Playboy Bunny and practices in a homemade costumes, roping Jesse into her role playing. When Sheila has had enough, rather than asking Jesse to go home, she locks Jesse in her bedroom closet, something that Jesse doesn't protest. Cringe-worthy. 

Steinke rips away the exterior and shows that adolescence is equal opportunity awkward for everyone, even the kid that seems popular. No one is immune. Without exception, all of the kids in this novel are awkward and the adults definitely don't have their lives figured out. Things are messy and complicated. Readers be warned, reading Sister Golden Hair will dredge up some of those uncomfortable memories from your own childhood. Steinke has managed to write a time travel novel!

DISLIKE- Nothing. Steinke is gifted at writing characters and emotions. Sister Golden Hair is not plot heavy, but more of a cruise through Jesse's teen years ,and a look at the influences that can shape a person. 

RECOMMEND- Yes. Sister Golden Hair is a journey back to adolescence, pimples and all. Steinke is a masterful storyteller and in Jesse, she has created a memorable protagonist. On an unrelated/related note, since the current season of American Horror Story is set in Roanoke, it's nice to have an alternate Roanoke story that's not completely terrifying! 

 

tags: Darcey Steinke, Darcey Steinke Tin House, Sister Golden Hair Darcey Steinke Book Review, Coming of Age Novels, Stories Set in Roanoke Virginia, Stories Set in the Seventies, Tin House Publishing, I love Tin House Publishing, Best Things About Portland Tin house, AWP Conference Book Fair 2016, AWP Conference 2016, Tin House AWP Conference 2016, Awkward Teen Stories, American Horror Story Roanoke, Like American Beauty, How Teenage Girls Interact, Playboy Bunny 1970's
categories: Read
Saturday 10.15.16
Posted by Karen Lea Germain
 

Powered by Squarespace 6